Rua do Giz in São Luís do Maranhão – History and Architecture

Rua do Giz, also known as 28 de Julho, is an area that was once the setting for soap operas, home to an important economic corridor and the cradle of São Luís do Maranhão bohemian life.

Rua do Giz em São Luís do Maranhão
Rua do Giz in São Luís do Maranhão

Among the streets of the historic centre, Rua do Giz stands out for its architectural ensemble and its social importance in the daily life of the city.

Rua do Giz em São Luís do Maranhão
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Rua do Giz em São Luís do Maranhão

Length and name

Rua do Giz covers a long area of the former Freguesia de Nossa Senhora da Vitória (now the Praia Grande neighbourhood), starting at Largo do Palácio and ending at Rua Nova Cascata.

After an urban redevelopment that filled in the Largo and part of Rua de Nazaré, the street now begins at Rua de Nazaré and ends at Rua Jacinto Maia, which runs parallel to Convento das Mercês.

The origin of the name “Rua do Giz” refers to the steep and slippery clay slopes in the area, which made traffic difficult.

This geographical aspect led to the construction of a staircase to overcome this access difficulty. The reference to “chalk” is linked to the composition of the soil, which is clayey and therefore slippery, which justifies the name.

This explanation was given by the researcher Carlos de Lima, who stressed the relationship between the name of the street and its physical characteristics.

The name “28 July”, according to Domingos Vieira Filho, refers to Antônio Henriques Leal, who was treasurer in 1865, and alludes to the date when the Province of Maranhão joined the Independence of Brazil in 1823.

Rua do Giz em São Luís do Maranhão
Rua do Giz, São Luís do Maranhão

Lower Meretrício Area (ZBM)

Rua do Giz still retains the characteristics of the period when, together with Rua da Palma, Rua Estrela, Rua Saúde, Rua Afonso Pena and Rua Travessas da Lapa, Rua Feliz and Rua Portinho, they formed the Lower Meretrício area (ZBM). Stigmatised as a place of debauchery, prostitution and indecency, this group of streets went through two distinct periods.

According to Professor Marize Campos, the intention to segregate a space in the capital for prostitution was part of a wider project of urban sanitation of São Luís, linked to the interests of moral hygiene. The idea was to order and civilise the city by defining a space for pleasure within the urban perimeter.

From the beginning of the 1930s, Ludovico’s meretricious neighbourhood became the target of government intervention.

From September 1931, houses of prostitution were subject to “day and night inspections by the Civil Guard“. In São Luís, this interference initially took the form of restrictions on the hours at which prostitutes could move around the city.

During this period, the region was known by locals for the glamour of its nightclubs and venues.

Ludovic’s elite frequented these places, where the courtesans were well dressed and the salons offered quality music with the best musicians in the city, giving the owners the status of “madams” of great power and respect.

Mansion houses on Rua do Giz

The second moment in the history of Rua do Giz began in the 1980s and marked the decline of the ZBM. The madams became old prostitutes, many of them with children and in dire financial straits. The glamorous nightclubs that once existed have given way to poorly maintained mansions, converted into apartment blocks to accommodate large families.

The colonial houses on this stretch of Rua do Giz contrast with some of the most beautiful and imposing mansions on the street, which have been the homes of illustrious personalities and important businesses in the city.

These include the Solar da Baronesa de Anajatuba, which now houses the Maranhão Historical and Artistic Heritage Institute (IPHAN), and the sobrado of the musician Lilah Lisboa, which houses the Maranhão Music School.

Solar da Baronesa de Anajatuba na Rua do Giz em São Luís do Maranhão
Solar da Baronesa de Anajatuba on Rua do Giz in São Luís do Maranhão

The Trojan Horse building, one of the tallest in the region, has four floors and a symmetrical façade facing west.

The second building has three floors and is made of colonial stone with decorative elements in the Modern Art style brought to São Luís by the Italian architect Gaspar Iconazone. Its façade is set back from the neighbouring buildings, surrounded by a wall of circular modules.

Sobrado da musicista Lilah Lisboa na Rua do Giz em São Luís do Maranhão
Musician Lilah Lisboa’s house on Rua do Giz, São Luís do Maranhão

Contemporary commerce and culture

Historically, Rua do Giz was home to several shops and banks, such as Machado Cavalcanti & Cia, which sold imported food, and Batista Nunes & Cia, which sold offal, stowaways and cigarettes.

Banks included the Banco Comercial do Maranhão, the Bank of Maranhão, founded in 1855, and the famous Banco Comercial. There were also credit centres such as Ferreira & Cia, which offered commission and consignment services, and Viana & Santos.

Today, Rua do Giz is a lively area full of restaurants, hotels, museums and cultural centres, such as the Domingos Vieira Filho Popular Culture Centre, the Casa da FÉsta and the Maranhão Natural History and Archaeology Research Centre. It will soon also house the Museum of the Portuguese Language – Maranhão.

Conclusion

Rua do Giz is a testimony to the rich history and social evolution of São Luís do Maranhão. Its architecture and cultural heritage reflect the changes the city has undergone over the years, highlighting the importance of this street in the historical and social context of the region.

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